It was established that our films main strengths were the sound and editing - and that the characters were established well due to the titles when introducing the characters. Also, that the use of the voiceover was very effective and helped develop some good insight into the introduction of the main characters used.
Tuesday, 28 April 2009
Audience Screening Feedback
All of the feedback that we received said that it was clear what we set out to achieve - an introduction to some characters from some gangs in London. The feedback we received proved that we used good Mise en scene, Camera work, Editing and Sound, however the only problem we got was some issues on the titles that we used - it was established that the titles we had used did not fit in with the genre of film that we had produced, and that we needed more gritty titles.
Tuesday, 10 March 2009
Changing Voice Over
We first thought of a script for the voice over which had to be rewrote when we recorded it for the second time, this was because when edited alongside the film we had shot, it did not make sense and needed to be improved. We then came up with a new voice over script, however has some explicit language.
"That's me, DJ, made an orphan at the age of 3, and committing crimes before I could walk, the way i see it is, you can let life fuck you over or you can get on with it and make something of yourself.
And then you've got my associate Pillz, a mad bastard, in fact hes a complete fucking nutter. Here he is kicking the shit out of some poor cunt. But look, that's just us, give a shit and expect it back ten times fucking worse, if you don't understand what we do, then don't worry i don't expect you to, cos to understand us, you'd have to think like us..."
We feel that this voice over better justified the context of the film and helped outline the character that DJ is supposed to portray, a corrupt youth living in a gritty neighbourhood.
"That's me, DJ, made an orphan at the age of 3, and committing crimes before I could walk, the way i see it is, you can let life fuck you over or you can get on with it and make something of yourself.
And then you've got my associate Pillz, a mad bastard, in fact hes a complete fucking nutter. Here he is kicking the shit out of some poor cunt. But look, that's just us, give a shit and expect it back ten times fucking worse, if you don't understand what we do, then don't worry i don't expect you to, cos to understand us, you'd have to think like us..."
We feel that this voice over better justified the context of the film and helped outline the character that DJ is supposed to portray, a corrupt youth living in a gritty neighbourhood.
Problems when filming and editing
Problems -
A continuity error, the character played by Dan Wiltshire was in one shot standing against a wall, and in the following shot where it was a direct cut he was not against the wall. This was therefore fixed with a dissolve transition to represent the passing of time, and the error was then resolved.
The first attempt at the voice over failed, as the script for the voice over was not well thought, and once edited to fit the film it did not make sense. Because of this, we had to record a voice over for the second time. The second attempt was successful, however we had to research into the language that we used, and see if it could be justified by the '15' rating that we decided on during the development stages - But this was successful and we found sufficient information in order to keep the voice over as it was.
There were few problems regarding sound, as we decided over the development stages that there would be no natural audio (such as speech, as due to the camera the sound would be poor) so we therefore decided to have a soundtrack and a voice over. the soundtrack was developed using equipment in order to collate different sounds into one track, and this was successful. However we had to fix the sound in the voice over as there was some hum in the background which made the voice over sound distorted, however this was eventually fixed with filters.
A continuity error, the character played by Dan Wiltshire was in one shot standing against a wall, and in the following shot where it was a direct cut he was not against the wall. This was therefore fixed with a dissolve transition to represent the passing of time, and the error was then resolved.
The first attempt at the voice over failed, as the script for the voice over was not well thought, and once edited to fit the film it did not make sense. Because of this, we had to record a voice over for the second time. The second attempt was successful, however we had to research into the language that we used, and see if it could be justified by the '15' rating that we decided on during the development stages - But this was successful and we found sufficient information in order to keep the voice over as it was.
There were few problems regarding sound, as we decided over the development stages that there would be no natural audio (such as speech, as due to the camera the sound would be poor) so we therefore decided to have a soundtrack and a voice over. the soundtrack was developed using equipment in order to collate different sounds into one track, and this was successful. However we had to fix the sound in the voice over as there was some hum in the background which made the voice over sound distorted, however this was eventually fixed with filters.
Wednesday, 4 March 2009
Justifying Language
Throughout the developing and planning stages, we decided that the film would be rated 15, so that it could attract a wider audience and appeal to people that could relate to it.
After recording the voice over for the we had to research what language was tolerated for a 15 classified film, as there is some strong language, this therefore meant that we had to research the BBFC.
WEBSITE: http://www.bbfc.co.uk/classification/c_15.php
For language, the website states:
"Language
There may be frequent use of strong language (eg 'fuck'). But the strongest terms (eg 'cunt') will be acceptable only where justified by the context. Continued aggressive use of the strongest language is unlikely to be acceptable."
We feel that the use of this language can be justified by context. The aim was to create an urban style, and the use of language represents the character. We therefore made the decision to keep the language present in the voiceover, as we feel that we did sufficient research and was the strongest use of language was only used once, and is not glorified.
After recording the voice over for the we had to research what language was tolerated for a 15 classified film, as there is some strong language, this therefore meant that we had to research the BBFC.
WEBSITE: http://www.bbfc.co.uk/classification/c_15.php
For language, the website states:
"Language
There may be frequent use of strong language (eg 'fuck'). But the strongest terms (eg 'cunt') will be acceptable only where justified by the context. Continued aggressive use of the strongest language is unlikely to be acceptable."
We feel that the use of this language can be justified by context. The aim was to create an urban style, and the use of language represents the character. We therefore made the decision to keep the language present in the voiceover, as we feel that we did sufficient research and was the strongest use of language was only used once, and is not glorified.
Thursday, 29 January 2009
Voiceover Script
Scene starts with a boy of about 16 sitting in the tunnel looking shady. The tunnel is long and wide and it is in the day time.
Youths walk over in urban clothing with a annoyed look on their faces.
Youth 1 : Oi blud, what the fuck you doin' 'ere
(DJ sits there looking amused)
Freeze frame on DJ and cuts to a non diegetic voice over of DJ
DJ : Thats me. Made an orphan at the age of three and committing crimes by the age of five. The names DJ by the way and I ain't here to bore you with some bloody sob story about how no one loved me. Nah I've got more important things to worry about. You see my and my associate Pillz. (cuts to a scene of Pillz assaulting a young man and then eating a tangerine afterwards) Well lets just say that we've got some business to deal with.
Pillz walks up and points knife at the youths. Boys run and D.J and Pillz sit there laughing and pull out tangerines.
Wednesday, 28 January 2009
Shot List
- Opening Shot - Establishing longshot - establishing the setting.
- Following Shot - Close up of Dan 'DJ' showing mise en scene of costume and setting.
- A longshot of a pair of youths then approaching DJ, from a first person perspective, Point of View shot.
- Close up of Dan.
- [Voice over dialouge, introducing the characters, etc]
- Medium shot of Crispen, brutally attacking another youth showing the urbanised setting.
- Long, Point of View shot of Crispen approaching Dan.
- Close up of 4 youths, mise en scene showing the status of the groups, higher up on the ground, etc suggesting much bigger authority.
- Long shot reverse shot sequence showing two youths running.
- Medium shot showing a victorious DJ and Pillz.
- Fade to black.
Monday, 26 January 2009
student research analysis - Crispen Makokoro
KiDULTHOOD
http://uk.youtube.com/watch?v=jGRujIKsokk
Film Company - "Clockwork Pictures"
The beginning scene for this film is similar to the one we have in mind. The reason why want this sort of beginning is because it can help give an in is to what the film if completed would have. Silty different our beginning scene is going to involve our to actors pillz and dj sitting at a bench waiting to cause trouble.
Our film been only 2 minutes long it will be to our benefit having a good beginning in which people maybe able relate, wonder and envision what it would be like if it was a full length film. kidulthood been one of the most successful british films it is good to try and relate and get ideas from good sources like it also it also it is important for us to note and learn something off it for future reference.
Tuesday, 20 January 2009
Release Strategy
We plan on releasing our movie using a Blanket Release strategy, so that the film is widely released on over 300 cinema screens over the country to recieve the best reaction to it possible. Also, by doing it this way it will have a greater effect on the amount of money taken in by the film at box office.
Following a cinema release, the film would then be released on DVD and Blu-Ray, availible to download online (Such as iTunes) and release a soundtrack with all the best sounds featured in the movie. If the production is found to be successful in the UK, producers could take action on whether to release it world wide, hitting the USA and making even more money still. Other merchandise such as posters, T-Shirts and keyrings will also be produced. This way the film would be more widely known, not only nationally but also internationally.
Following a cinema release, the film would then be released on DVD and Blu-Ray, availible to download online (Such as iTunes) and release a soundtrack with all the best sounds featured in the movie. If the production is found to be successful in the UK, producers could take action on whether to release it world wide, hitting the USA and making even more money still. Other merchandise such as posters, T-Shirts and keyrings will also be produced. This way the film would be more widely known, not only nationally but also internationally.
Thursday, 15 January 2009
Student Research Analysis - Laura
Film company - 'Clockwork Pictures'
(http://www.youtube.com/watch?v=9LqzWyunWMk&feature=PlayList&p=191ABB5625547580&index=0&playnext=1) - Opening of 'Adulthood'.
The opening to this film is similar to the way that we wish to present the opening of our film. We could show short sequences of the two main characters to introduce their characters as well as introduce the genre, setting, and mise en scene of the film. This particular opening sequence relates back to the genre of our film well, as the teenage crime thriller action is similar to our thoughts.
Although our film is only a two minute opening sequence, I feel that we could get many elements into this short sequence of time to clearly introduce and present the theme and genre of our film. We plan to have two feature stars, corrupt youths trying to make a name for themselves in the gritty streets that they live in.
We plan to appeal to a target market audience of teenagers and young adults, that could possibly relate to the things that are happening in the opening sequence. To do this, we want to set the rating as a 15, as this then enables teenagers to view it and not restrict the target audience by setting the film rating as an 18 - if this was to happen then this would majorly restrict things, such as sales and opening box office releases after the planned blanket release.
As a group we decided to film in Reigate despite our original setting of London. This will be easier as we have more time to film as there is only a short distance to travel. This way, we have more time to film and produce.
There will be two key themes to the opening of the film to present - One being the relationship shared between people and how certain events and environments can affect them, and secondly the corrupt and gritty streets of some neighbourhoods.
(http://www.youtube.com/watch?v=9LqzWyunWMk&feature=PlayList&p=191ABB5625547580&index=0&playnext=1) - Opening of 'Adulthood'.
The opening to this film is similar to the way that we wish to present the opening of our film. We could show short sequences of the two main characters to introduce their characters as well as introduce the genre, setting, and mise en scene of the film. This particular opening sequence relates back to the genre of our film well, as the teenage crime thriller action is similar to our thoughts.
Although our film is only a two minute opening sequence, I feel that we could get many elements into this short sequence of time to clearly introduce and present the theme and genre of our film. We plan to have two feature stars, corrupt youths trying to make a name for themselves in the gritty streets that they live in.
We plan to appeal to a target market audience of teenagers and young adults, that could possibly relate to the things that are happening in the opening sequence. To do this, we want to set the rating as a 15, as this then enables teenagers to view it and not restrict the target audience by setting the film rating as an 18 - if this was to happen then this would majorly restrict things, such as sales and opening box office releases after the planned blanket release.
As a group we decided to film in Reigate despite our original setting of London. This will be easier as we have more time to film as there is only a short distance to travel. This way, we have more time to film and produce.
There will be two key themes to the opening of the film to present - One being the relationship shared between people and how certain events and environments can affect them, and secondly the corrupt and gritty streets of some neighbourhoods.
Monday, 12 January 2009
KARMA
British Social Realist - British Hooliganism.
Product Manager - Crispen Makokoro
Director - Shannon Donnelly
Camera - Laura Evans
Editor - Daniel Wiltshire
Actors - Daniel Wiltshire & Crispen Makokoro
Synopsis -
A day in London can last an eternity on the streets. In a neighborhood where respect is everything, the only thing missing is respect. Two corrupt youths are out to make a name for themselves among the gritty streets of London. However, not everyone is prepared to let them move in on their turf. One day will change everything. The only question is; can they survive it? As they're faced with trouble, revenge and violence they must make decisions that will challenge their whole ethic. They say the streets show no mercy, they are about to see how far the streets will be pushed, one thing is for sure; karma is about to bite back.
DJ, made an orphan by the streets is bitter, twisted and out to get revenge. He has no morals and lives on the edge. Together with his drug addict associate Pillz, they set out to increase their reputation all the while carrying a sinister motif. These two are heartless and cold, but they do say that revenge is best served as a cold dish.
British Social Realist - British Hooliganism.
Product Manager - Crispen Makokoro
Director - Shannon Donnelly
Camera - Laura Evans
Editor - Daniel Wiltshire
Actors - Daniel Wiltshire & Crispen Makokoro
Synopsis -
A day in London can last an eternity on the streets. In a neighborhood where respect is everything, the only thing missing is respect. Two corrupt youths are out to make a name for themselves among the gritty streets of London. However, not everyone is prepared to let them move in on their turf. One day will change everything. The only question is; can they survive it? As they're faced with trouble, revenge and violence they must make decisions that will challenge their whole ethic. They say the streets show no mercy, they are about to see how far the streets will be pushed, one thing is for sure; karma is about to bite back.
DJ, made an orphan by the streets is bitter, twisted and out to get revenge. He has no morals and lives on the edge. Together with his drug addict associate Pillz, they set out to increase their reputation all the while carrying a sinister motif. These two are heartless and cold, but they do say that revenge is best served as a cold dish.
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